Tag: new york times

Afterthoughts

Before the cloud of dust and ash had even reached Brooklyn they were already calling it our generation’s “J.F.K.” We all remember it — where we were, who we were with, what we were doing. I’m not going to tell you my memories of 9/11 because they aren’t probably much different from those of most other people who weren’t in New York that day. Surely to do so would be to weigh in on an already over-saturated topic, to intellectualize other people’s all-too-real tragedy, and to appropriate their daily pain in an empty gesture of solidarity. I’m not an American, I wasn’t in New York ten years ago and I didn’t personally know anybody who died in the attacks. Who the hell am I to get in the way of those who are, were, and did?

I was hesitant to write about 9/11 at all until a New Yorker friend convinced me otherwise. She talked about the “ownership” of 9/11, her view being that it belongs to us all (unlike 9/12, which belongs only to New York). Indeed, as much as those events were an attack on the freedom of the Western world at large, it was New York that had to grapple in the aftermath of a very real disaster. Yet while the city was distracted, its back turned, its energies drained and emotions exhausted, somehow “9/11” was swept upon — by politicians, media, or simply the circumstances of an imminent global threat — and rebranded as an American tragedy. It was a subtle shift but one which opened up the city to the rest of the country, welcoming swathes of out-of-towners who’d previously avoided New York at all costs (“too dirty, too dangerous”), and perhaps consequently setting in motion Manhattan’s rapid and alarming suburbanization.

I know more than one American who has admitted to me that they didn’t know what the World Trade Center was on 9/10. Today several of my Facebook friends — many of whom have never been to New York — have updated their statuses and changed their profile pictures accordingly to reflect the supposed mood of the city. I even read about a guy who remained incredulous last Friday when a colleague wished him a “Happy 9/11”. Given this, plus the slew of discussions and hollow sentiments gushing our way this anniversary week, I wish more people were as reluctant to share thoughts on 9/11 as I am.

Ironically, while the rest of America has embraced New York in its visitor-friendly post-9/11 guise, so New Yorkers increasingly yearn for what has been lost over the last decade. I’m always surprised just to what extent the city I wake up to in 2011 differs from the New York that has always existed in my head, where, along with DON’T WALK/WALK lights and Checker cabs, the Twin Towers are still very much there.

I visited the Twin Towers once when they really were still there, and rode the startlingly fast elevator to the top floors and observation deck, where I walked about for roughly a half-hour under the hazy July sun, marveling at the view and taking photos with my Pentax K-1000. I have one super wide montage (which I pieced together once my photos had been developed) looking north where you can see the curvature of the earth. I took another great shot looking directly across at the other tower, and I remember being able to see the Colgate HQ across the river (the giant clock is still there). NY1 called it the hottest July 5th on record at the time, and you couldn’t make out much beyond Central Park because of the haze. My mum went during a crisp November a few years earlier — in her photos you can probably see Connecticut. There was a point near the gift shop and restaurant where you could step down to the windows and put your toes against glass. It was pretty scary (in a fun sort of way) at the time; the memory became terrifying a few years later.

After moving to New York it never occurred to me to visit what had by then become habitually referred to as “Ground Zero”. I don’t know if having lost loved ones would be greater incentive to visit or a big reason to stay away, but I find it odd that people travel across America to visit the former site of the World Trade Center and pose for photos in front of what has begun only recently to resemble something other than a building site. (It’s still the only “tourist attraction” I can think of in which people come to see something that isn’t there, rather than something that is.) But I’m sure they all leave with a commemorative fridge magnet to take home.

Having said that, I think after all the speculation the new memorial site is far more perfect than anything I could have imagined. Those two square pools are a powerful sight. Maybe it’s naive to hope that the re-opening of the site will act as a sort of closure for the city, and that vast space as it develops can finally return to being a living, breathing part of downtown Manhattan. But it will probably be a long while before I go down there.

I certainly would never have dreamed of going downtown today. Instead I stayed at home, curled up on the sofa with a cup of coffee and a bumper edition of Sunday’s Times (which I’d bought on Saturday night). I got seriously choked up during the TV memorial service when kids barely old enough to remember their dads started to cry as they read out their names. The list was especially moving when they got to the most common last names, like Smith, and it began to read like a phone book.

A decade of cheap tourism, internet theorists, airport security lines, late-nite terrorism gags and numbing scenes of war on the nightly news has made it easy to forget that few people in this city weren’t directly affected by what happened on 9/11. Ten years is nothing, and when I speak with New Yorkers — or anyone for that matter — I never bring it up. And despite everyone’s desire to move on the subject should continue to be treated with caution and respect, a tough task for many given the current choice of platforms encouraging extreme opinions and knee-jerk reactions.

Too many New Yorkers wear the fact like a badge of honor. Let’s always try and remember that some have earned theirs.

Characters Welcome (Their Names Less So)

The poster for Larry Crowne, the new movie starring Tom Hanks and Julia Roberts, doesn’t tell us much, besides the fact that the film stars Tom Hanks and Julia Roberts, and that they are having a pleasant time. The two actors are seen riding what appears to be a flying motor scooter, judging by the sky blue background and complete absence of gravitationally secured objects. He smiles contentedly, his eyes, twinkling behind dark shades, fixed firmly on the road (or flight path). She perches behind him, her printed silk scarf fluttering in the breeze as she releases a trademark thousand-watt grin. Neither wears a crash helmet.

Not even the movie’s title can reveal much else to prospective cinema-goers as to the purpose of this joyride through the clouds. After realizing that “Larry Crowne” was in fact the name of the movie (and not a third-billed actor) I began hoping that the name might refer to a mysterious unseen matchmaker who brings the film’s protagonists together; or maybe a clever alias exposed to devastating effect mid-way through the movie; or perhaps the leader of a menacing band of Vespa enthusiasts that engages our heroic duo in a less-than-deadly two-wheeled airborne pursuit. Imagine my disappointment to learn, with depressing predictability, that “Larry Crowne” is nothing more than the name of Tom Hanks’ character. The poster isn’t even a cute reference to Roman Holiday.

When asked about the title, Hanks, who co-wrote and directed the film, revealed Larry as the name of his real-life brother, and that “Crowne” was chosen as a last name because it “sounded cool” (probably because it had already sounded cool in The Thomas Crown Affair — twice). I can only assume Hanks was searching for a name to evoke a certain everyman, but the detail drew my attention to what may be a growing trend in Hollywood, in which movie titles — supposedly an important element in the eventual success of a cinematic release — simply defer to the lead character’s name.

Larry Crowne is not the first movie — or even the first movie starring Tom Hanks and Julia Roberts — to include a character’s name in the title. In 2007 the pair co-starred in Charlie Wilson’s War, while each won Oscars for their respective roles as Forrest Gump (1994) and Erin Brockovich (2000). Historical tales, true stories and biopics often include the character’s name in the title for recognition purposes, since it’s that person whose life the film is about. Other comprehensible exceptions include franchises such as Indiana Jones or Harry Potter. Woody Allen’s Annie Hall (1977) told the story of a comedian’s complex relationship with a woman, the use of whose name as the title served only to accentuate his romantic fixation (“Hall” is also Diane Keaton’s real last name). A character’s name may play an integral role in plot development, as in the case of Meet Joe Black (1998) and The Curious Case of Benjamin Button (2008). In both movies mystery shrouds Brad Pitt’s identity as the preposterous title character.

In some cases a film can gain a cult following due to the inclusion of a character’s name in the title. To a generation of movie-lovers, “Ferris Bueller” remains synonymous with adolescent tedium and smart-alec rebellion thanks to Matthew Broderick’s winning performance in Ferris Bueller’s Day Off (1986). More recently, other films aimed at young audiences — such as Forgetting Sarah Marshall (2008) and Scott Pilgrim vs. The World (2010) — have attempted to capitalize using the same technique, with less impressive results. You could argue also that these films are either set in high schools or geared towards teens, an age where last names are important for differentiating between the dozens of other Sarahs, Scotts and, uh, Ferrises among your peers.

But when the device backfires it can make film companies look quite lazy. In 2009 two films were released with identical titles, save for their character name suffixes. The subject matter of I Love You, Beth Cooper and I Love You Philip Morris could not have been more different, but you could hardly blame audiences for not being able to recall which movie was which. Perhaps Larry Crowne‘s truest precedent is Jerry Maguire, the 1996 hit starring Tom Cruise and Renee Zellweger. It too relied on the bankability of its leads, and essentially amounted to a fairly straight romantic comedy-drama hidden beneath a tedious sub-plot about a sports agent and his ego-centric client.

Admittedly, it’s so far been a bad summer at the movies. Bad Teacher, Horrible Bosses, and Zookeeper sound like they were lumbered with their working titles when market research suggested they couldn’t be improved upon. But neither the ubiquitous poster for Larry Crowne nor its accompanying trailer has given me incentive enough to go and see it, despite the dearth of promising alternatives. A New York Times review, which described the film as a “tepid, putatively adult film which may elicit mild chuckles” suggested my instincts were correct. Maybe I’d have been more compelled if the movie had had a more interesting title (the French release translates as “It’s Never Too Late”). Instead, the public is left with no idea what the film is about, and the impression that the answer is not much. It makes the film look like a vanity project. Perhaps Tom Hanks should save himself some bother and simply call his next vehicle “Tom Hanks”.

It’s no secret that studios’ primary concern has always been star-power and box-office success. Maybe the less an audience knows about a movie the more likely they’ll pay to watch it. The fact that Larry Crowne stars two of America’s best-loved stars was enough for it to gross $15.7 million in its opening four-day weekend (although 71% of those who bought tickets were over 50). But it seems increasingly apparent now that even filmmakers themselves are becoming indifferent to their own work, a conclusion borne out by Hollywood’s current lack of imagination and fresh ideas. Imagine an alternate world where classic movies had been named for their main characters. Rick Blaine, George Bailey, Norman Bates, Benjamin Braddock, Popeye Doyle, Vito Corleone, Travis Bickle, Tony Manero and Han Solo hardly sound like Oscar-winners, but I bet you’d have little trouble recalling the movies they belong to. Hollywood should focus on creating characters worth remembering –- if they’re truly memorable we won’t forget their names.

Breakfast in America

In case you hadn’t noticed, the World Cup got underway last weekend in South Africa. For one month every four years, the planet’s greatest sporting event has, historically, had a tendency to consume my every waking second. This year is no different, although since Italy lifted the trophy in 2006 I’ve obtained United States residency, meaning I am experiencing the tournament from this side of the Atlantic for the very first time. This situation has led to some interesting observations, some more expected than others, as I grapple with the clichéd notion of being an avid soccer nut in a country that — as we’re so often told — just doesn’t care.

Johannesburg is six hours ahead of New York, so I get to watch the day’s earliest match before leaving for work. Once in the office I close my internet browser and hunker down until I can return home, where, thanks to the miracle of DVR, two more games await my viewing pleasure. Though avoiding the score has proven more difficult than expected. I’ve had to change my route several times when I’ve seen soccer fans amassed outside a sports bar, and was even forced to move to the other end of a subway car when I heard some Brazilians talking futebol.

This isn’t the first time I’ve had to set the alarm for football matches. During the 2002 World Cup in Korea and Japan (when I was still living in England), most games were scheduled for the early morning, a novelty which resulted in BBC commentator John Motson developing a tiresome fixation with breakfast-related puns. Watching football on American networks can also bewilder, but for entirely different reasons. I still don’t understand why the commentary is called “the call” (as in “Martin Tyler with the call”) or why half-time is known simply as “the half” (“We’re goalless at the half.”). The alternative is the local Spanish language channel Univision, where the World Cup is co-hosted by young latinas in figure hugging national team jerseys, and any punditry is generally forsaken in favor of dancing, chanting and fervent flag-waving. Over on ESPN coverage is generally quite polished, with some big names on the panel: Klinsmann, Gullit, McManaman, McCoist, Lalas, Bartlett, Martinez (OK, some names are bigger than others). It’s clear the anchors are being fed information about players and previous tournaments by a soccer intern with encyclopedic knowledge of World Cup history, in a desperate but comprehensible attempt to dispel the myth that Americans know nothing about the game.

Whether you see it as a failure or a refusal, the fact that America has never fully embraced soccer is both fuel for those who dismiss the sport and a burden to its genuine fans. New York, of course, is a bit different. The city is still a natural port of call for anyone arriving from overseas or across the border, and some 36% of the current population is foreign-born. That’s a lot of soccer fans. New York State has no official language: English is obviously the de facto language but of the nine million people who live in the city less than half are native English speakers. On a day like today — when the air is thick and temperatures hit the mid-90s and football is blaring out of every bar, deli and taxicab – New York feels a lot closer to Naples or São Paulo than the United States.

That’s not to say the locals don’t make themselves heard. Yesterday I saw dozens of young Americans in USA jerseys heading to bars to watch their team’s match with Slovenia, while for several weeks shoppers on 57th Street have been subjected to Clint Dempsey’s screaming face looming large on the exterior of NikeTown. The United States’ games have even made the front pages of the Times, Post and Daily News. Despite only intermittent success in recent years, interest in the national team has steadily risen to a point where they today merit respect and generate media frenzy and support during the World Cup. Many casual American soccer fans become genuinely curious about the tournament, and perhaps even a tad envious of the kind of passion it invokes in people of other nationalities.

But come September it’s unlikely these same fans will be getting up at nine on a Sunday morning to watch European league matches. For this reason I sometimes sympathize with the professionals representing the United States, as they’ve had to work doubly hard to garner support from skeptics and casual, fair-weather fans whose interest is piqued only every four years. It’s like when people get excited about synchronized swimming during the Olympics.

A college friend of mine (and self-confessed soccer ignoramus) wrote to me recently asking me for my take on why the game has never taken off in the United States. After all, since the 1960s a host of characters from the worlds of football, politics, entertainment and business have tried to make soccer a more serious sport here, without ever fully succeeding. In the 1970s some of the sport’s biggest names — including Pele, Beckenbauer, Best and Cruyff — made the NASL a marketing man’s dream, but the novelty wore off by the early 1980s and the league collapsed soon after. In 1994 the United States even hosted a highly successful World Cup (breaking all attendance records), but the MLS (which was created as part of the U.S.’s hosting bid) has had a turbulent history ever since, and remains a relatively weak league whose rosters are populated mainly by young American talent and veterans from South America, despite more recent high-profile European arrivals, such as David Beckham and Thierry Henry.

Soccer is the most played sport at high-school level in this country, and extremely popular in the major cities and particularly among the under-30s, but I don’t think it will ever “take off” in the way my friend was implying. The problem is precisely that: football doesn’t really “take off” anywhere – it’s ingrained culturally and people either get it or they don’t. Sadly for America everyone gets it but them. In Asia, large populations with growing economies such as Japan, China and India, have embraced the game more fervently in recent years, but they didn’t have their own hugely popular and highly lucrative sports leagues in place. In the United States the NFL, MLB, NBA and NHL are very much ingrained; soccer is not really necessary, neither economically nor culturally.

Then of course there is the game itself. A lot has been made of the cautious nature of the first round of matches at this World Cup, but it seems the ones who complain about the football (or the vuvuzelas for that matter) are the ones who don’t really enjoy soccer and probably begrudge having to sit through it. Many Americans I’ve spoken to this week have questioned the number of matches which have ended in parity, their impression being that a tied result is somewhat unsatisfactory. That a game must have a winner strikes me as a deeply American idea. I got into a very heated row with my boss twice this week after he suggested football would be improved if they eliminated draws from the sport entirely. Most surprising when you consider my boss is Italian — albeit one who moved to the Bronx in 1970 and now catches a football match only every four years (and then only when the Azzurri are playing). Major League Soccer conducted a similar experiment when it relaunched back in the mid-nineties. Concerned with the prospect of tied games, the league’s commissioners imposed an instant one-on-one sudden death shoot-out in the event of a match ending level after ninety minutes. In a perverse twist on the penalty shoot-out, the forward would start with the ball from the halfway line with only the goalkeeper to beat. This attempt to avoid alienating mainstream sports fans by making league matches — and penalty kicks themselves — more exciting only alienated soccer purists, and the league soon reverted to a conventional win-lose-draw points system.

In this regard both the MLS and my boss were guilty of seeing the game purely from the perspective of entertainment, which in this case means the ball crossing the goal-line. Personally, I’d always prefer to watch a tight 1-1 draw between two quality teams than an end-to-end goal-fest between two average ones. Fans who describe close World Cup or Champions League matches as “boring” also fail to recognize one of the elements that makes the game so special. Football is different to practically all other sports in that scoring is supposed to be difficult, so when a goal is scored it’s a big deal. It is a game built on patience and tactics, which of course enhances the tension and drama, which in turn are what make important games so absorbing. In basketball there is no element of tension or drama until the last 120 seconds of the fourth quarter, and that’s only if the teams are closely separated.

The very nature of football is contrary to the instant gratification provided by high-scoring American sports, which are first and foremost entertainment (and big business). Football is obviously entertainment in Europe too (and an even bigger business globally), but there are deeper cultural, social and political elements that give the game a greater resonance beyond the stadium, which if you’ve never lived in Europe or South America is perhaps not something that’s easy to comprehend. It’s for these reasons more than any other that I think soccer remains a sport that most Americans won’t think of again for another four years. But until then, if they ever change their minds they know where to find the rest of us.